Helen
Johnson
Johnson
Warm Ties
06 Jan – 20 Feb 2018
Artspace
43 – 51 Cowper Wharf Road
Sydney,
Australia
Australia
Bad debt, 2016
Impotent observer 2016
A feast of reason and a flow of soul 2016
Seat of power, 2016
The sack 2016
Worst comes to the worst, 2016
Top to bottom:
Helen Johnson, A feast of reason and a flow of soul, 2016.
Installation view at Artspace, Sydney 2018. Courtesy the artist; Châtteau
Shatto, Los Angeles; Pilar Corrias, London; and Sutton Gallery, Melbourne.
Photo: Zan Wimberley
Installation view at Artspace, Sydney 2018. Courtesy the artist; Châtteau
Shatto, Los Angeles; Pilar Corrias, London; and Sutton Gallery, Melbourne.
Photo: Zan Wimberley
Helen Johnson, Warm Ties, Installation view at
Artspace, Sydney, 2018. Courtesy the artist; Châtteau Shatto, Los Angeles;
Pilar Corrias, London; and Sutton Gallery, Melbourne. Photo: Zan
Wimberley
Artspace, Sydney, 2018. Courtesy the artist; Châtteau Shatto, Los Angeles;
Pilar Corrias, London; and Sutton Gallery, Melbourne. Photo: Zan
Wimberley
Helen Johnson, Warm Ties, Installation view at Artspace,
Sydney, 2018. Courtesy the artist; Châtteau Shatto, Los Angeles; Pilar Corrias,
London; and Sutton Gallery, Melbourne. Photo: Zan Wimberley
Sydney, 2018. Courtesy the artist; Châtteau Shatto, Los Angeles; Pilar Corrias,
London; and Sutton Gallery, Melbourne. Photo: Zan Wimberley
Helen Johnson, Bad debt, 2016. Installation view at
Artspace, Sydney, 2018. Courtesy the artist; Châtteau Shatto, Los Angeles;
Pilar Corrias, London; and Sutton Gallery, Melbourne. Photo: Zan
Wimberley
Artspace, Sydney, 2018. Courtesy the artist; Châtteau Shatto, Los Angeles;
Pilar Corrias, London; and Sutton Gallery, Melbourne. Photo: Zan
Wimberley
Helen Johnson, Impotent observer, 2016, detail. Courtesy the artist;
Châtteau Shatto, Los Angeles; Pilar Corrias, London; and Sutton Gallery,
Melbourne. Photo: Zan Wimberley
Châtteau Shatto, Los Angeles; Pilar Corrias, London; and Sutton Gallery,
Melbourne. Photo: Zan Wimberley
Helen Johnson, Warm Ties, Installation view at Artspace, Sydney, 2018.
Courtesy the artist; Châtteau Shatto, Los Angeles; Pilar Corrias, London; and
Sutton Gallery, Melbourne. Photo: Zan Wimberley
Courtesy the artist; Châtteau Shatto, Los Angeles; Pilar Corrias, London; and
Sutton Gallery, Melbourne. Photo: Zan Wimberley
Helen Johnson, Warm Ties, Installation view at Artspace, Sydney, 2018.
Courtesy the artist; Châtteau Shatto, Los Angeles; Pilar Corrias, London; and
Sutton Gallery, Melbourne. Photo: Zan Wimberley
Courtesy the artist; Châtteau Shatto, Los Angeles; Pilar Corrias, London; and
Sutton Gallery, Melbourne. Photo: Zan Wimberley
Helen Johnson, The sack, 2016, detail. Courtesy the artist; Châtteau
Shatto, Los Angeles; Pilar Corrias, London; and Sutton Gallery, Melbourne.
Photo: Zan Wimberley
Shatto, Los Angeles; Pilar Corrias, London; and Sutton Gallery, Melbourne.
Photo: Zan Wimberley