Work Together Stay Alive at Exile / Wien

Together Stay Alive 

Curated by Tzvetnik (Natalya
Serkova and Vitaly Bezpalov )

Artists: Caro Eibl, Genevieve Goffman, Guillermo Ros, Julius Pristauz, Philipp
Simon, Sarah Księska, Vitaly Bezpalov, Vladimir Kolesnikov, Yein Lee

30th October – 7th December 2019

Exile Gallery
Elisabethstraße 24
1010 Wien

Yein Lee: Me Moi Series, 2018-2019 , Acrylic on PVC sheet, polyurethane foam, steel, wire, spray, 176 x 143 x 42 cm & 137 x 125 x 34 cm

Yein Lee: Me Moi Series (detail), 2018-2019Acrylic on PVC sheet, polyurethane foam, steel, wire, spray, 176 x 143 x 42 cm & 137 x 125 x 34 cm

Sarah Księska: Cleaning up my closet, 2019. Oil and acrylics on polyester, 135×240 cm

Work Together Stay Alive, 2019. Installation view, EXILE
Work Together Stay Alive, 2019. Installation view, EXILE

Caro Eibl: The Open Space, 2017-2019. Video, 47 min

Philipp Simon: image, plant, afterwards, certainty, 2019. Pencil on paper, A4 (frame 40×50 cm)

Philipp Simon: moment, sunset, exhaustion, client, high-value, decision, timeline, yahoo, 2019. Pencil on paper, A4 (frame 40×50 cm)

Work Together Stay Alive, 2019. Installation view, EXILE

Guillermo Ros: Braços de Toguro, 2019. Drawing, Chinese ink and acrylic paint on phenolic board, car laquer, 135 x 90 x 3 cm
Vitaly Bezpalov: Score Management II, 2019. Uniqlo Dress Shirt, print on paper, dimensions variable
Vitaly Bezpalov: Score Management II (detail), 2019. Uniqlo Dress Shirt, print on paper, dimensions variable

Genevieve Goffman: Killing Time, 2018 & Good Boy, Good Comrade, 2017. PLA Plastic

Genevieve Goffman: Good Boy, Good Comrade (detail), 2017. PLA Plastic, 11 x 11 x 19 cm
Genevieve Goffman: Killing Time, 2018. PLA Plastic, 17 x 16 x 16 cm

                       Julius Pristauz: Pink clock (2×12), 2019. Roman clock, spray paint, 60 x 60 cm

is happy to invite you to an exhibition curated by Moscow-based curator and
writer Natalya Serkova and artist Vitaly Bezpalov entitled Work Together Stay
it a mistake to say that a lemon slice in your teacup always tends to float towards
your lips as if to deliberately ruin your tea drinking experience?
we may even rapidly rotate the cup 180 degrees assuming the slice’s gonna stay
where it was. However, no matter how fast we are, the lemon is always faster to
turn up on that exact side of the cup we take a sip from. What is it? Is it
some kind of lemon conspiracy? For this to pass as a conspiracy, there’s going
to be a global communications network binding a swarm of lemons. I guess they
all work together with an element of surprise on their side. Each as yellow as
a minion, a team worker. A dog pack is working together in order to…
are we talking about when we talk about group show? Is it a work done together?
Bananas are as yellow as lemons, but do they also communicate? Even if they do,
it sure doesn’t look like it. And there is no way for us to know. For the most
part a banana split is made by a human, not a banana. A banana split is
definitely not the same thing as a lemon slice position in your tea cup, these
things can not be compared. Are lemons alive? Alive because of yellowness or
because of their ability to act correspondingly? A communications network and
being alive – these two things are interlinked.
that work together qualify as living things. What about the non-living? Can
non-living things work together? I don’t know. Can something work together just
because it’s yellow? To be yellow—is it a reason enough to be alive? Wait. It
is us who see the color yellow. A lemon will give it to you straight: it is you
who sees things living. So who’s right? Work together? Stay alive?

Serkova (b. 1988) is a philosopher and art theorist, currently based in Moscow,
Russia. She has received a B.A. in Philosophy in RSUH, Moscow. Her book ‘That
What Might Be Given’ (
«То, что может быть дано»), written in a
genre of theory fiction, was published in 2017 in Russian. She is a contributor
to Moscow Art Magazine, e-flux journal, RevistaArta, isthisit?, OFluxo and
Bezpalov (b. 1985). Lives and works in Moscow. Artist, co-founder of Tzvetnik.
Selected exhibitions include Sans (t)r
êve et
sans merci, Cube, 2019; Hands of Doom VI, Storage Capacite, Berlin, 2019; Tilt,
In.Plano, Paris, 2018; Obvious-incredible, 427 Gallery, Riga, 2018; No
Where/Now here @Jim Morrison Room/Ultrastudio, Los Angeles, 2018; Ruminations
of the Midnight Stroll, Harlesden High Street, London; The Rhythm of the Night,
Center RED, Moscow, 2017; Paradise on Mars, OJ, Istanbul, 2017

is an independent online curatorial platform founded in 2016. TZVETNIK is aimed
at documenting and archiving the international contemporary art process. It
facilitates curated aggregation of the cultural output 
from various creative communities, individual artists, visual art specialists
and global trendsetters in the art world. TZVETNIK was founded and is currently
run by Vitaly Bezpalov and Natalya Serkova.