To dream a man at Clima / Milan

“To dream a man” / curated by Samantha Ozer

Artists: Tunji Adeniyi-Jones, Farah Al Qasimi, Dalton Gata, Brook Hsu, Elizabeth Jaeger, Fin Simonetti

30 September – 30 November, 2020

Via Alessandro Stradella 5
Milan, 20129 

Photo Credit: Marco Davolio

To dream a man brings together a group of artists whose works consider dreams and myths as tools to understand
ourselves and our relationships with other beings, both human and non-human. The exhibition borrows its title from
Jorge Luis Borges’ short story “The Circular Ruins,” in which a “wizard” retreats into a temple to “dream a man” into
existence, only to realize that he is also a product of someone else’s dream. Like the “wizard” who is visited by the god
of Fire in many bestial forms, the artists in this exhibition look to animals and mystical spirits to bridge the gap between
interiority and exteriority, explore myth-making for survival and consider how perspective dictates narrative. From the
quotidian to the supernatural, the stories crafted through these mythical beings flirt with the bounds of fear and desire
and present a projection of reality that is fluid depending on the environment or cultural conditions. 
The intersection between imagination and sensorium influences lived experience. Elizabeth Jaeger’s birds surveil visitors, meeting us with expressions of sadness, curiosity, and even judgement, seemingly considering our habits as much
as we envision theirs. For Dalton Gata, however, we are met with an unrequited gaze, rejected by person and animal
alike, only instigating more questions about this surreal pairing. Rituals of consumption and sight are explored in Brook
Hsu’s Cell Death 8, in which mushrooms and packs of what the artist calls bunny-dogs multiply inside of undulating
pears. While these objects are suspended in space, her landscape paintings feature lush environments animated by
a haunting absence. There is a feeling that something has recently departed or a premonition that it is yet to arrive. 
In Tunji Adeniyi-Jones’ drawings, the chorus of androgynous figures move and whisper amongst themselves, recreating tribal performance and connecting to a rich history of the Yoruba diaspora and wider mythologies of West African
Kingdoms. More broadly, Farah Al Qasimi’s work explores issues of hybridity in creating cultural identity. Much like the
multicultural production of the items in the furniture shop in Shahama, Abu Dhabi, legends surrounding black cats shift
from misfortune to prosperity and luck depending on the cultural context. While individually, Fin Simonetti’s drawings
suggest uncanny encounters with pastoral living; taken collectively, the works consider internalized guilt of how we
treat other species, in this instance the cow, which is revered in some cultures and exploited in others. For Simonetti’s
work specifically, but to be considered across all the works is a consideration of if the interior of one’s mind is safe from
the judgement of a moralizing gaze, particularly one that is our own? If reality is constructed from our perceptions,
then the conditions of the physical world are always in flux and dependent upon a patchwork of collective visions. 
Tunji Adeniyi-Jones (b. 1992, London, UK) predominantly works in painting and drawing. He received his BFA in Fine Art from Oxford University,
his MFA in Painting/Printmaking from The Yale School of Art, and was a resident of Kehinde Wiley’s Black Rock Senegal. He currently lives and
works in New York City. 
Farah Al Qasimi (b.1991, Abu Dhabi, United Arab Emirates) works in photography, video, and performance. She received her BA from Yale University, her MFA in Photography from the Yale School of Art, and was a resident of the Skowhegan School of Painting and Sculpture. She currently
lives and works between Brooklyn and Dubai. 
Dalton Gata (b. 1977, Santiago de Cuba, Cuba) works predominantly in painting and drawing. He received a BFA in Fashion Design from the
Escuela de Diseño Altos del Chavón in Santo Domingo, DR. He currently lives and works in Coamo, Puerto Rico. 
Brook Hsu (b. 1987, Pullman, Washington, raised in Stillwater, Oklahoma) works predominantly in painting and sculpture. She received her BFA
from the Kansas City Art Institute and her MFA in Painting/Printmaking from The Yale School of Art. She currently lives and works in New York City. 
Elizabeth Jaeger (b. 1988, San Francisco, California) works in sculpture. She received a BA from Lewis and Clark College, Portland, Oregon; has
studied at the École Nationale Superieure des Arts, Nancy, France; and studied textiles at the School of The Art Institute of Chicago, Illinois. She
currently lives and works in New York City. 
Fin Simonetti (b.1985, Vancouver, British Columbia, Canada) works in sculpture, stained glass, and drawing. She received her BFA from the
Ontario College of Art and Design in 2009. She currently lives and works in New York City.

– Samantha Ozer