DL Review: Palimpsest of voices, an online project by Leontios Toumpouris

Palimpsest of voices, an online
project by Leontios Toumpouris

Review by Andrés Valtierra

Screenshot from palimpsestofvoices.net

You may access the website and encounter the fragment of a
drawing floating in an empty, reddish space. Click refresh and a piece of clay
is hovering now towards you. Do it again and an abstract, gleaming, dark figure
slowly spins on its axis. For this year’s edition of Glasgow International, the
Cypriot artist Leontios Toumpouris prepared an online presentation that
challenges our assumptions of what it means to display objects in a digital
space. The past fifteen months have seen a proliferation of online exhibitions
that rely on a 3D rendering of a white cube, where images of bi-dimensional
artworks or scans of sculptures are displayed as if within a gallery. Perhaps
out of a desire for things going back to normal before long, we seem to have
clung to the familiar, domesticated exhibition spaces with which we are so
familiar. In contrast, the project Palimpsest
of voices
puts in motion a process of exploration and recognition. Here we
have some objects located in an abstract expanse—one in which there are no
referents for its size or orientation—, ordered without a singular axis but
forming a constellation of a sort, a cluster that one explores as one zooms in
and out, rotates and pans along the 3D model that is the artwork.

            The starting
point of the project is a series of workshops that the artist organized at
Glasgow Sculpture Studios with a group of over 130 participants connected to Oakgrove
Primary School, consisting of pupils, staff and family members. Throughout
several sessions, they explored the malleability of clay, how some types of
material work better with each other, and how, if you cut a heterogeneous knob
of several varieties of clay in half, you may encounter some abstract, unplanned
figures inside that resemble the strokes of an unprecedented calligraphy.
Through a practice consisting primarily of sculpture, Toumpouris’ work explores
the fragility and mutability of language. For several years now, he has been
creating glyphs that appear to belong to constructed languages, although there
is not a complete linguistic structure behind them. Then he inscribes them onto
pieces of leather or clay, or decomposes them visually to create metal or
ceramic sculptures. On this occasion, next to making them familiar with
strategies pertaining to sculptural practice, the artist invited the
participants in the workshop to imagine how new graphemes could be generated,
what they could mean, and what would be the relationship between the visual
aspect of the glyph and its phonetic and semantic contents. In short, this was
an exploration of the arbitrariness with which language is formed and
structured, and yet how it creates communal experiences, albeit sometimes
ephemeral. His ultimate intention, it would appear, was for this group to
reimagine how the development of these invented graphic signs could give rise
to new ways of connecting with each other.

            As with many
other projects programmed to take place after the pandemic began, the
presentation of Palimpsest of voices
was postponed and, eventually, relocated to the digital space. Toumpouris’s
original idea was to display the objects produced during the workshop in the Assembly
Hall of Oakgrove Primary School; when this was no longer possible, he decided
to formulate a digital platform that bears no resemblance to that particular
gallery or, in fact, to any physical room. This is one of the most striking
features of the artwork: it is bewildering at first, yet invites the user to
continue exploring it and to try to make sense of it. 3D scans of the objects
and glyphs are suspended in a given order, and it is difficult to imagine what
caused their position in relation to each other: this is a system that is alien
to us, the viewers. It seems as if a developing network had been paused, or as
if we had been granted access to the inside of a fictional cell. Yet this is
perhaps as close as we can get to a visual representation of the structure of
any language, of how the elements connect between themselves, seemingly having
fixed positions but, in truth, these being arbitrary and always about to
change. At the end one the day, it is for the users to establish signification
within the structure.

            If the
workshops or the communality they created are not immediately apparent in the
artwork, maybe this is because the migration we all lived to digital platforms
since early 2020 made absent relationships of this kind. Mediation of most of
our interpersonal experiences through a screen gave way to necessary
explorations of how we can digitize our connections to each other, or rather,
to what an extent we can really do so. In other words, this implied a need to
reimagine, again, how we relate to each other, to create new languages, new
signs of communication beyond the fixed ones we already knew. The artist, in
turn, transported this urgency to creating a new category of space, to
reinventing how we can display objects, which are secluded in a studio or in a
warehouse, and make them accessible for a larger public. As users of this
platform, we give signification to the connected elements within it, and become
yet one more of the voices to which the title refers. We participate in a
palimpsest that obtains even more layers each time someone new, or even
recurring, interacts with it.

            Palimpsest of voices can be accessed at: https://palimpsestofvoices.net/


Screenshot from palimpsestofvoices.net

Screenshot from palimpsestofvoices.net


Documentation of workshops, January – February 2020, Glasgow Sculpture Studios

 Documentation of workshops, January – February 2020, Glasgow Sculpture Studios


Documentation of workshops, January – February 2020, Glasgow Sculpture Studios


 Documentation of workshops, January – February 2020, Glasgow Sculpture Studios


Documentation of workshops, January – February 2020, Glasgow Sculpture Studios


Screenshot from palimpsestofvoices.net