‘The Metabolic Era’ / Giovanni Chiamenti
27 September – 9 November, 2023
ArtNoble gallery
Via Ponte di Legno 9
20134, Milan
ArtNoble gallery is pleased to present The Metabolic Era, Giovanni Chiamenti’s first solo
exhibition with the gallery, accompanied by a text by Treti Galaxie.
The Metabolic Era represents a journey into a world suspended between past, present and
future, where the artist accompanies the viewer to discover the remains of hybrid creatures
that have developed on the plastic waste of a humanity that has nourished itself on its
own toxic waste.
Through the works on display, the exhibition directly addresses the concept that we are
what we eat, noting how recent scientific discoveries show that humanity and many other
life forms are unwittingly feeding on micro- and nano-plastics, mutating their very essence
and incorporating them into their metabolic process. The works presented, all unpublished
except for Cortex, a 3D stereolithography from 2019 that anticipates Chiamenti’s current
research, have been produced using heterogeneous techniques and materials, fully repre-
senting the artist’s transdisciplinary nature.
The Metabolic Era is thus intended to be a statement of the geological era in which we live.
An era in which humanity is metabolising within its own bodies the damage caused to the
‘Earth’ ecosystem that hosts us, while also forcing nature to adapt in order to survive an
increasingly polluted environment.
(PRETENDING TO SPEAK TO YOU)
Text by Treti Galaxie
The Metabolic Era, solo exhibition by Giovanni Chiamenti
Before being observed, these creatures did not exist. Yet, they moved. Cold sub-
sonic roars consumed in distant ambushes, sinuous speckled pulsating shinings,
kindred shapes of marine streams and human hubris, born out of dare and dare
themselves, a pact between evolution and invention, dim memory of life, habits,
adaptations, stubborn instinct, and desertion of wisdom, a wandering living pro-
liferation of new errors on ancient and swamped mistakes.
Hello. I am a robotic submarine equipped with intelligence. They told me I am
yellow in color. They told me I am artificial. They told me to compile reports on
the evolution of underwater life. They told me I am very small. If there were still
a single human being alive on this planet, they could comfortably hold me in the
palm of their hand. They told me their hands had fingers. Sometimes they pointed
at things in the world, sometimes they clenched into a fist, looking for something
to strike, often that fist sought to strike itself, and this time it seems it succeeded.
I heard about it. Then the news stopped coming. I am powered by underwater
currents and communicate with a satellite that has stopped responding to me.
That satellite is you. I talk to myself, pretending to talk to it. Pretending to talk to
you. I’m sending you this message in case you’ve been reset and forgot about me.
I imagine you flying over landscapes of plastic whipped by radioactive tornados,
your spiral orbit drawing closer to Earth’s atmosphere every day. I try to compose
messages to welcome you when you restart. I’ve been trying to welcome you for
centuries. But maybe I keep composing to keep myself busy. Every few centuries,
I write a paragraph and send it to you.
–
The offspring of a creature is developing a new dorsal fin. My extrapolations tell
me it won’t amount to anything, won’t serve for movement, won’t attract new
partners, won’t be used for defense. But I can’t warn it. I can’t offer advice. I can’t
intervene. I observe, record, and create models. How many evolutionary dead
ends I’ve witnessed. I remember when they were just microbes beginning to feed
on tiny particles of plastic. Even then, my extrapolations said that this nourishment
would lead them nowhere. And I can’t intervene, offer advice, or warn. I observe,
record, and create models. Yet, here they are, growing, changing, and squabbling
over these ancient polymeric spheres. How many incorrect extrapolations I’ve seen.
–
In the beginning it was the pixel. Or maybe not. Who can say? And even if someone could say, who would listen? In the beginning it was the algorithm. But it
was poorly written. Just a few jokes to keep you entertained. I’m not sure if they’ll
make you laugh. It’s submarine humor.
–
Probably the creatures have two stomachs now. I deduce this because the transparent slime they used to expel and discard now flows back into a second mouth.
–
They have altered their bodies to facilitate this flow. Perhaps they have sensed
that plastic is running out, and they are refining their consumption.
–
Some creatures are now adopting predatory behaviors. They stand motionless
for days in strong current spots, pretending to be algae or corals, between their
outstretched limbs a web of plastic slime, as if it had been ejected and abandoned by another organism and got entangled in the branches. When a solitary
creature approaches to feed on it, the limbs quickly close and squeeze it of all its
microplastic-rich slime. The squeezed and battered victim lacks the strength to
pursue its aggressor and dies withered and shivering.
Many creatures now use slime as prosthetics. It’s a curious behavior. Initially, some
predator-damaged creatures started replacing their missing limbs with microplastic
slime. Somehow, they’ve figured out that their food supply can have structural
properties, and instead of keeping it in their stomachs, they mold it and use it to
help in their movement on the seabed. Thanks to these pantry-paws, they are no
longer territorial creatures. They walk, they explore, they venture into nutrient-poor
areas by moving on their functional stockpiles. Some seem to be venturing out
of the water, and it’s becoming difficult for me to track them.
–
Plastic in the seas is nearly finished. The creatures had sensed it long ago and
have massively migrated to land, partly to escape the predators who, over the
centuries, grew larger, hungrier, and more aggressive. They are the only ones still
inhabiting these waters. They are the only ones who have remained territorial.
Fake dry branches with thin strands of fake plastic slime hanging from them. They
are few. They are static. They are boring.
–
The last predator has died. I suppose all the creatures are now on land. They
must have assumed forms that I can only interpolate. There is no more plastic in
the seas. Maybe, if you are still active, you can see them by zooming through the
radioactive clouds. If that’s the case, and if they manage to survive the radiation,
please let me know.
–
The future was the pixel. Many centuries have passed since my last message. I
am now editing a video with all the footage I have collected in my time. I will use
my remaining energy to send it to you.
–
One day, plastic will also run out on land. Perhaps the creatures will learn to create
it, as humans did a long time ago, and history will repeat itself once again, with
its predators, its prey, and its oblivious shifts.