The Scales of Persona and Possibility
Alex Clarke, Sarah Derat,
Fischli & Weiss, Douglas Gordon, Wade Guyton, Louis Malle, Adam Pendleton,
Mitchell Syrop, Raymond Pettibon, Robert Rauschenberg
Fischli & Weiss, Douglas Gordon, Wade Guyton, Louis Malle, Adam Pendleton,
Mitchell Syrop, Raymond Pettibon, Robert Rauschenberg
18 April – 26 May, 2018
SUPER DAKOTA
45 rue Washingtonstraat
B – 1050 Brussels
The show is a poetic
reflexion on being at the crossroad of the known and the unknown. It
investigates the place of the self as an enabler or disrupter through different
frameworks and its effects on our ethos.
reflexion on being at the crossroad of the known and the unknown. It
investigates the place of the self as an enabler or disrupter through different
frameworks and its effects on our ethos.
The more people I
meet the more I like my friends
meet the more I like my friends
I retain the
right to do whatever I want
right to do whatever I want
Vessel-ed
threshold
threshold
So I’m told
The back of the
neck of Grace Kelly.
neck of Grace Kelly.
You begin with
the possibilities of the material
the possibilities of the material
We’re just going
around all day like unconscious machines, and meanwhile there’s all this rage
and worry and uneasiness just building up and building up inside us
around all day like unconscious machines, and meanwhile there’s all this rage
and worry and uneasiness just building up and building up inside us
I have a
beautiful cock.
beautiful cock.
No one can help
me with my work. I think I do best when I am just left alone.
me with my work. I think I do best when I am just left alone.
What do you mean? Thanks. I don’t know.
When I see a
train, I want to take it in my arms
train, I want to take it in my arms
There is no
device to record it
device to record it
Lock.
It’s been my
Pleasure.
Sure.
What would John
Baldessari do?
Baldessari do?
I was always
afraid this would happen some day
afraid this would happen some day
I put my trust in
the materials that confront me, because they put me in touch with the unknown.
It’s then that I begin to work… when I don’t have the comfort of sureness and
certainty.
the materials that confront me, because they put me in touch with the unknown.
It’s then that I begin to work… when I don’t have the comfort of sureness and
certainty.
Sometimes there’s
a vacuum that has to be covered.
a vacuum that has to be covered.
realer real
How
does one become famous?
does one become famous?