Curved Arrows at Kunstraum am Schauplatz / Vienna

Curved Arrows / a project by Daily Lazy Projects and Kunstraum am Schauplatz
 
Curator: Kostis Velonis
Assistant Curator:  Faidra Vasileiadou
 
Amalia Vekri, Alexandros Georgiou, Maria Georgoula, Zoe Giabouldaki, Dimitris Ioannou, Eleni Kamma, Nikos Kanarelis, Chrysanthi Koumianaki, Markela Kontaratou, Karolina Krasouli, Konstantinos Kotsis, Margarita Myrogianni, Theo Michael, Myrto Xanthopoulou, Nina Papaconstantinou, Tereza Papamichali, Georgia Sagri, George Stamatakis, Stefania Strouza, Evangelia Spiliopoulou, Alexandros Tzannis, Panos Tsagaris, Dimitris Foutris, Savvas Christodoulides
 
01/05/2019 – 28/05/2019 
 
Kunstraum am Schauplatz, Praterstraße 42, 1020, Vienna
Wednesday to Friday 15:00–18:00 
 

 

 Nina Papaconstantinou
 

 

Markela Kontaratou
 
 Tereza Papamichali
 
 Maria Georgoula
 

 

 
 Alexandros Georgiou
 

 

 

 Myrto Xanthopoulou
 
 Nikos Kanarelis
 

 

 

Stefania Strouza
 
 Stefania Strouza
 
 Amalia Vekri
 

 

 

 Dimitris Ioannou
 

 

Margarita Myrogianni
 
 Theo Michael
 

 

 

 Dimitris Foutris
 

 

 

 

 Eleni Kamma
 

 

 Panos Tsagaris
 
 Konstantinos Kotsis
 
Chrysanthi Koumianaki

 

 

 Alexandros Tzannis
 

 

 

 George Stamatakis
 
 Georgia Sagri
 
 Nikos Kanarelis
 

 

 Dimitris Foutris
 
 Evangelia Spiliopoulou
 

 

Karolina Krasouli
 
 
 
images credits: Corinne L. Rusch
 
 
 
A curved arrow stresses its ambiguity through the symbolic difference of masculine and feminine design . The arrow is used here as a metaphor of the god Eros in Greek mythology, whose thin, long and pointed objects in our case do not hit their targets. An arrow that always misses reminds us that the imaginary demands are by definition, unsatisfiable and that the original desire is sustained by its lack. 
This exhibition is the continuation of a recent show (Stopping Point, 2018) based on a poem by Antoine Tudal, which describes the difficulty of love through the acoustic and verbal similarity of “love” (l’amour) and “wall” (le mur) in French. The“love-wall” (l’a-mur) in the second part of this visual research is titled as “Curved arrows” .