Zoé Tullen at Berlin Atelierhaus by the canton of Geneva / Berlin

Artist(s): Zoé Tullen
Art space: Berlin Atelierhaus by the canton of Geneva
Address: 29 Wiesenstrasse, 13357, Berlin
Duration: 20/06/2025 - 01/07/2025
Zoé Tullen, Les seins comme les marguerites éclosent, 2025, installation view.
Zoé Tullen, Les seins comme les marguerites éclosent, 2025, installation view.
Zoé Tullen, Les seins comme les marguerites éclosent, 2025, detail view.
Zoé Tullen, restrained, 2025, steel, 10x10x10cm.
Zoé Tullen, out of joint, 2025, mixed media on plexiglass, aluminium frame, 100x100x4cm.
Zoé Tullen, out of joint, 2025, detail view. Mixed media on plexiglass, aluminium frame, 100x100x4cm.
Zoé Tullen, Windows wander, 2025, detail view. Mixed media on plexiglass, aluminium frame, 100x100x4cm.
Zoé Tullen, come to me I, 2025, analogue square frequency generator, antenna driver (various electronic components), antenna (various conductive materials), passive piezoelectric speakers, solar panel, site-responsive dimensions.
Zoé Tullen, come to me I, 2025, analogue square frequency generator, antenna driver (various electronic components), antenna (various conductive materials), passive piezoelectric speakers, solar panel, site-responsive dimensions.
Zoé Tullen, come to me I, 2025, detail view. Analogue square frequency generator, antenna driver (various electronic components), antenna (various conductive materials), passive piezoelectric speakers, solar panel, site-responsive dimensions.
Zoé Tullen, come to me I, 2025, detail view. Analogue square frequency generator, antenna driver (various electronic components), antenna (various conductive materials), passive piezoelectric speakers, solar panel, site-responsive dimensions.
Zoé Tullen, come to me I, 2025, detail view. Analogue square frequency generator, antenna driver (various electronic components), antenna (various conductive materials), passive piezoelectric speakers, solar panel, site-responsive dimensions.
Zoé Tullen, come to me II, 2025, detail view. Analogue square frequency generator, antenna driver (various electronic components), antenna (various conductive materials), passive piezoelectric speakers, solar panel, site-responsive dimensions.
Zoé Tullen, come to me II, 2025, detail view. Analogue square frequency generator, antenna driver (various electronic components), antenna (various conductive materials), passive piezoelectric speakers, solar panel, site-responsive dimensions.
Zoé Tullen, come to me II, 2025, detail view. Analogue square frequency generator, antenna driver (various electronic components), antenna (various conductive materials), passive piezoelectric speakers, solar panel, site-responsive dimensions.
Zoé Tullen, come to me II, 2025, analogue square frequency generator, antenna driver (various electronic components), antenna (various conductive materials), passive piezoelectric speakers, solar panel, site-responsive dimensions.
Zoé Tullen, come to me II, 2025, detail view. Analogue square frequency generator, antenna driver (various electronic components), antenna (various conductive materials), passive piezoelectric speakers, solar panel, site-responsive dimensions.
Zoé Tullen, reverb, 2025, aluminium foil on carton, 30x30cm.
Zoé Tullen, young Turing watching the flowers grow during a hockey match (after Sara Turing,1923), 2025, mixed media on plexiglass, aluminium frame, 100x100x4cm.
Zoé Tullen, young Turing watching the flowers grow during a hockey match (after Sara Turing, 1923), 2025, mixed media on plexiglass, aluminium frame, 100x100x4cm.
Zoé Tullen, young Turing watching the flowers grow during a hockey match (after Sara Turing, 1923), 2025, mixed media on plexiglass, aluminium frame, 100x100x4cm.
Zoé Tullen, young Turing watching the flowers grow during a hockey match (after Sara Turing, 1923), 2025, detail view. Mixed media on plexiglass, aluminium frame, 100x100x4cm.
Zoé Tullen, spiderweb, mixed media on plexiglass, solar panels and battery, LEDs, cable, aluminium frame, 100x100x4cm.
Zoé Tullen, spiderweb, detail view. Mixed media on plexiglass, solar panels and battery, LEDs, cable, aluminium frame, 100x100x4cm.
Zoé Tullen, spiderweb, mixed media on plexiglass, solar panels and battery, LEDs, cable, aluminium frame, 100x100x4cm.
Zoé Tullen, the foot trap, 2025, steel and found scraps, variable dimension.
Zoé Tullen, the foot trap, 2025, steel and found scraps, variable dimension.
Zoé Tullen, the foot trap, 2025, detail view. Steel and found scraps, variable dimension.

“Les seins comme les marguerites éclosent” is the concluding exhibition of Zoé Tullen’s six-month residency in the Berlin Atelierhaus offered and supported by the Canton of Geneva. The immersive installation presents four paintings and an interactive sound piece. A duet of buzzing sound as an uninterrupted alarm envelops the room, tones evolve through human presence and invisible waves travelling the space. It is made of sculptural antennas connected to analogue DIY systems inspired by the instrument theremin, powered by sunlight. In her painting work as well as in her interactive sculptural lo-fi instruments, Zoé Tullen aims to introduce subjectivity and a singular physical gesture into the technological world. Her work seeks to make visible the interwoven network of different layers and ecosystems from a queer perspective.

Zoé Tullen’s research on the philosophical significance of the Turing test (version A) – which attributes intelligence and potential humanity to machines based on their ability to imitate a woman – led her to work on the unintelligible, abstract textures and primitive humming sounds, holding her breath in the heart of a generator. 

In the essay « Robopoïèse », André Ourednik defines language as the first form of artificial intelligence, a new layer of understanding which extracts the human condition from the unspeakable, the elusive, and the instability of nature. Language first sets a binary vision separating human from its surrounding, which one needs to name and call in order to set boundaries, ownership and power over the other.

There must have been an intermediary state, a short momentum in the evolution of human intelligence when the brain developed enough to recognise and name things but hadn’t invented the language yet. Each surrounding would become a vision, each gesture would become a sign, each sound would become a word, stammering meaningful yet unintelligible waves. Before human could speak human could make noise, murmur a melody to fall asleep, dream of abstract landscapes where the light of the sun, wefts, spiderwebs, neuronal electricity, ants and analogue networks, antennas and bodies would merge into a whole.