Sì at Etablissement d’en face / Brussels

Danh Võ, Poster for Celluloid Brushes, 2008, Ink on paper, 84 x 59,5 cm, installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy the Artist, Photographer: Fabrice Schneider
Artist(s): Danai Anesiadou, Michel Auder, Thomas Bayrle, Judith Bernstein, Guillaume Bijl, stanley brouwn, Ellen Cantor, Jef Cornelis, Ryan Cullen, Sara Deraedt, Daniel Dewar & Grégory Gicquel, Luciano Fabro, Terry Fox, Isa Genzken, Steinar Haga Kristensen, Werner Herzog, Will Holder, Karl Holmqvist, Irina Jasnowski Pascual, Dorota Jurczak, Henrik Olai Kaarstein, On Kawara, Pierre Klossowski, Gijs Milius, Rafael Moreno, Jacques Louis Nyst, Henrik Olesen, Willem Oorebeek, Hatice Pinarbasi, Cameron Rowland, Lin May Saeed, Michael E. Smith, Antonia Tietze, Joëlle Tuerlinckx, Michael Van den Abeele, Bob Van der Wal, Richard Venlet, Jan Vercruysse, Danh Võ, Leen Voet, Amelie von Wulffen, Peter Wächtler
Curator: Etablissement d'en Face and Miguel Wandschneider
Art space: Etablissement d'en Face
Address: Jan Jacobsplein 1, 1000 Brussels
Duration: 22/06/2024 - 04/08/2024
Credits: Work, Artist, Etablissement d'en Face, Photographer: Fabrice Schneider
Jan Vercruysse, Labyrinth & Pleasure Garden (detail), 1994-2001, 8 out of a suite of 13 proposals: 6, 8, 10, 15, 16, 18, 19, 22, Linen on cardboard; offset print on 250 gr. Rivoli paper, 71.3 x 54.2 x 2.5 cm each (framed), Edition of 43 (#7/43), installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy Xavier Hufkens, Brussels, Photographer: Fabrice Schneider
Danai Anesiadou, Hammertime, 2024, In situ, Paper, Egyptian faience, 28 x 20 x 4 cm, installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy the Artist, Photographer: Fabrice Schneider
Antonia Tietze, Untitled, 2024, Printed text on paper, 21 x 15 cm, installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy the Artist, Photographer: Fabrice Schneider
Hatice Pinarbasi, Champs brûlés, cris voilés_3, 2023, Oil, make-up, coloured pencil, charcoal, graphite on fabric, 220 x 47 x 3,5 cm, installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy the Artist, Photographer: Fabrice Schneider
Willem Oorebeek, Titel, Das Ding An Sich, 2024, Lino on paper, 9 sheets, 100 x 60 cm each, installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy the Artist, Photographer: Fabrice Schneider
Ryan Cullen, Wing, 2023, Lambda print, 33 x 28 cm (framed), installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy the Artist, Photographer: Fabrice Schneider
Michael Van den Abeele, Untitled, 2024, Wood, aluminium curtain, digital print on vinyl, 210 x 95 cm, installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy the Artist. Photographer: Fabrice Schneider
Michel Auder, Talking Head, 1981, edited 2009, Reel-to-reel video to digital video, English, 02:27 min, installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy the Artist, Photographer: Fabrice Schneider
Exhibition view Sì, Etablissement d’en face, Brussels, 2024, Photographer: Fabrice Schneider
Gijs Milius, Flappie, 2020, Oil stick and pastel on paper, 31,5 x 44 cm (framed), installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy the Artist, Photographer: Fabrice Schneider
Guillaume Bijl, Sorry, 2023, Mixed media, variable dimensions, installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy the Artist, Photographer: Fabrice Schneider
Henrik Olesen, Monkey/ Dog/ Hippopotamus, 2014, C-print, acrylic, collage on panel, 104,6 x 79,8 x 3,9 cm (framed), installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy Galerie Buchholz, Photographer: Fabrice Schneider
Joëlle Tuerlinckx, CLUB MARGOT - tartlet for members, 2024, Pad ink, coaster, ø 10 cm, Unlimited edition, installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy the Artist, Photographer: Fabrice Schneider
Joëlle Tuerlinckx, CLUB MARGOT - liste des membres/lijst van leden/list of members, 2024, Pad ink, laser printing on paper, variable dimensions in accordance with registrations (format A4, A3, A2, A1, A0, ...), installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy the Artist, Photographer: Fabrice Schneider
Daniel Dewar and Grégory Gicquel, Stoneware soap dish with nose, 2023 High-fired stoneware ceramics, 29,5 x 15 x 12 cm, installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy the Artists, Photographer: Fabrice Schneider
Peter Wächtler, Dich hab ich fast ganz vergessen I, 2024, Charcoal, coal on linen, wood, 110 x 130 cm, installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy the Artist & Galerie Lars Friedrich, Photographer: Fabrice Schneider
Leen Voet, Naar Bernard Jos Van Gobbelschroy, 2002, Oil on canvas, 84 x 64 cm, Bernard Jos, 2022, Oil on canvas, 232 x 177 cm, from the series ‘Bernard, Paul & Constant’, installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy Baronian, Brussels, Photographer: Fabrice Schneider
Dorota Jurczak, Gestapelt, 2004, 35 x 25,5 cm (framed), installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy Miguel Wandschneider, Photographer: Fabrice Schneider
Sara Deraedt, dyson, 2014, Lambda print, 31 x 23 cm (framed), installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy the Artist. Photographer: Fabrice Schneider
Richard Venlet & Leander Venlet, Cinema, 2024, In situ, Perforated mdf, silver paint, coloured light bulbs, techniques, exhibition view Sì, Etablissement d’en face, Brussels, 2024. Courtesy the Artists. Photographer: Fabrice Schneider
Ellen Cantor, still image Pinochet Porn, 2008 - 2016, Richard Venlet & Leander Venlet, Cinema, 2024, exhibition view Sì, Etablissement d’en face, Brussels, 2024. Courtesy the Artists, the Estate of Ellen Cantor and Electronic Arts Intermix (EAI), New York. Photographer: Fabrice Schneider
Exhibition view Sì, Etablissement d’en face, Brussels, 2024. Photographer: Fabrice Schneider
Rafael Moreno, She Changes All the Time, 2024, Steel, lamp, euro cents, wood, handbag, belt, knitting needles, cardboard, paper, 126 x 42 x 61 cm, installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy the Artist. Photographer: Fabrice Schneider
Amelie von Wulffen, Schirm aus Stein (bei Nürnberg), 2023, Oil on canvas, 70 x 100 cm (framed), Installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy the Artist & Trautwein Herleth, Berlin. Photographer: Fabrice Schneider
Exhibition view Sì, Etablissement d’en face, Brussels, 2024. Photographer: Fabrice Schneider
Judith Bernstein, Small Blue Balls (Blue Ground), 2019, Acrylic and oil on canvas, 121.9 x 121.9 cm (framed), installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy Golding collection. Photographer: Fabrice Schneider
Joëlle Tuerlinckx, After Margot, l’escalier (detail), 2024, Video rushes (FILMs d’Etude - série 'salle/marcheur(s)' Argos 19.08.2000 / Willem Oorebeek, Margot Vanheusden, silent or with sound, 7’ 35’’): screen #1: Etude ‘Etablissement d’en face 2024’, 25’ 15’’, screen #2: Etude ‘Etablissement d’en face 2024’, 13’ 49’’, monitors, wall mounts, duct tape (37 ‘museal steps'), electrical equipment (timer, variable settings, variable intensity halogen spotlight), variable installation, installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy the Artist. Photographer: Fabrice Schneider
Thomas Bayrle, Untitled, 1994, Atari collage printed in four colour silkscreen on paper, 139 x 116 cm (framed), installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy the Artist & dépendance, Brussels. Photographer: Fabrice Schneider
Exhibition view Sì, Etablissement d’en face, Brussels, 2024. Photographer: Fabrice Schneider
Bob van der Wal, Caïro Cats, 2023, Silver gelatine print, 50 x 60 cm (framed), installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy the Artist. Photographer: Fabrice Schneider
Irina Jasnowski Pascual, Sleepers, 2024, Glass, cardboard, 191 x 20 x 20 cm, installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy the Artist. Photographer: Fabrice Schneider
Luciano Fabro, Italia, 1972, Leather, 100 x 105 cm, edition of 50 (#23/50), installation view Sì, Etablissement d’en face, Brussels, 2024. Private collection. Photographer: Fabrice Schneider
Lin May Saeed, Reiniger/Cleaner (V02), 2020, Styrofoam, steel, acrylic paint, polyethylene, plastic watering can, 78 x 73 x 92 cm, installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy of Estate of Lin May Saeed, Jacky Strenz, Frankfurt and Chris Sharp Gallery, Los Angeles. Photographer: Fabrice Schneider
Henrik Olai Kaarstein, Cat Coastline, 2019, Vinyl paint, acrylic paint, acrylic mediums, soft pastels, oil pastels, charcoal, tissue paper, tracing paper, varnish on bamboo straw mat, 90 x 90 cm, installation view Sì, Etablissement d’en face, Brussels, 2024.Courtesy of Gether Contemporary. Photographer: Fabrice Schneider
Cameron Rowland, Handpunch, 2015, Photograph, 35,6 × 25,8 cm (framed), edition of 5 + 2 AP (# AP 2/2), installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy the Artist & Maxwell Graham Fine Art, New York. Photographer: Fabrice Schneider In businesses where employees' time is one of the most valuable assets, the Handpunch time clock secures this time. Manufactured by Schlage (the American lock company) the Handpunch uses biometric readings of employees’ right hands to inhibit false clock-ins and payment for false hours. Biometric recognition was developed to replace photography as a superior form of criminal indexing.
Richard Venlet, Alcove Cit. Cit. 2005, 2019, Mdf, carpet, tl lamp, 85,5 x 75,5 x 15,5 cm, installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy the Artist. Photographer: Fabrice Schneider
Will Holder, “Our Values Make Us Different,” part 10 (calmly): ‘seeing as a plain introduction to love and reason,’ Bernadette Mayer, 1978. Établissement d’en Face, Sì, for Margot, 2024, Drawing with adapted marker pen, straightedge, and compass, talk,installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy the Artist. Photographer: Fabrice Schneider
Michael E. Smith, Untitled, 2024, Trumpets, bowl, plastic, 41 x 15 x 17 cm, installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy the Artist. Photographer: Fabrice Schneider
Exhibition view Sì, Etablissement d’en face, Brussels, 2024. Photographer: Fabrice Schneider
Steinar Haga Kristensen, Figur overkommer abstrakjon #04 (Der Schlie(s)muskel funktioniert nicht mehr #76), 2023, Oil on canvas, diptych, 130 x 100 cm (each), installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy the Artist. Photographer: Fabrice Schneider
Display case including (left to right): Menu of La Grande Pentola di Bianchi Montalbano, 2015 Le tour du monde, a present for President Valéry Giscard d’Estaing Famin, César, Musée Royal de Naples, Peintures, Bronzes et Statues Érotiques du Cabinet Secret avec leur explication par M.C.F., 1959 Two pages from Famin, César, Musée Royal de Naples, Peintures, Bronzes et Statues Érotiques du Cabinet Secret avec leur explication par M.C.F., 1959 On Kawara. One Million Years, 1999, Editions Micheline Szwajcer & Michèle Didier
Karl Holmqvist, Untitled (Tank), 2009, Collage on card, 50 x 70 cm (framed), installation view Sì, Etablissement d’en face, Brussels, 2024. Courtesy the Artist & dépendance, Brussels. Photographer: Fabrice Schneider

SÌ

WITH

DANAI ANESIADOU, MICHEL AUDER, THOMAS BAYRLE, JUDITH BERNSTEIN, GUILLAUME BIJL, STANLEY BROUWN, ELLEN CANTOR, JEF CORNELIS, RYAN CULLEN, SARA DERAEDT, DANIEL DEWAR & GRÉGORY GICQUEL, LUCIANO FABRO, TERRY FOX, ISA GENZKEN, STEINAR HAGA KRISTENSEN, WERNER HERZOG, WILL HOLDER, KARL HOLMQVIST, IRINA JASNOWSKI PASCUAL, DOROTA JURCZAK, HENRIK OLAI KAARSTEIN, ON KAWARA, PIERRE KLOSSOWSKI, GIJS MILIUS, RAFAEL MORENO, JACQUES LOUIS NYST, HENRIK OLESEN, WILLEM OOREBEEK, HATICE PINARBASI, CAMERON ROWLAND, LIN MAY SAEED, MICHAEL E. SMITH, ANTONIA TIETZE, JOËLLE TUERLINCKX, MICHAEL VAN DEN ABEELE, BOB VAN DER WAL, RICHARD VENLET, JAN VERCRUYSSE, DANH VÕ, LEEN VOET, AMELIE VON WULFFEN, AND PETER WÄCHTLER

FOR MARGOT

OPENING SATURDAY 22.06.24 FROM 7PM

EXHIBITION 23.06.24 – 08.09.24

OPEN
WED-SUN / 14:00 – 18:00 AND BY APPOINTMENT

ETABLISSEMENT D’EN FACE PLACE J(E)AN JACOBSPLEIN 1 1000 BRUSSELS
0032 2 219 44 51 WWW.ETABLISSEMENTDENFACE.COM

Fund Friends of Etablissement d’en face projects npo

page1image26757568 page1image26757984

Etablissement d’en face is delighted to present Sì, a major exhibition, opening on June 22nd, dedicated to Margot Vanheusden, who passed away around the same time last year. Conceived as both a personal portrait and a celebration of her contribution as one of Etablissement’s key members for a period of over 20 years, the exhibition features an extensive list of artists with whom she collaborated or would have liked to collaborate — relationships which often evolved into close friendships. It takes its title from a word that is emblematic for Margot. Sì, both as an affirmation and expression of enthusiasm.

The works in the exhibition are shown alongside a selection of objects that she collected in the office of Etablissement d’en face and reflect her approach and personality.

Sì runs from June 22nd till September 8th, 2024 and is initiated by Miguel Wandschneider and put together in collaboration with Liska Brams, Nina Janssen, and Harald Thys. It spans all four floors of the Art Deco building housing Etablissement d’en face — another one of Margot’s discoveries.

With the support of the Vlaamse Overheid, Vlaamse Gemeenschapscommissie, Fédération Wallonie-Bruxelles, Duvel Moortgat NV

With thanks to the participating artists, Argos, Baronian, Collection Lucien Bilinelli, Galerie Isabella Bortolozzi, Galerie Buchholz, dépendance, Laurence Dujardyn, Electronic Arts Intermix, Galerie Lars Friedrich, Gether Contemporary, Golding Collection, Fréderic de Goldschmidt, Maxwell Graham Fine Art, Xavier Hufkens, Karma International, LConcept, Frédéric Nicolay, Cameron Rowland, Nicolaus Schafhausen, Chris Sharp Gallery, Vincent Stroep, Micheline Szwajcer, Trautwein Herleth, Miguel Wandschneider, WIELS, and everyone who helped with the production of the exhibition.

Special thanks to the Friends of Etablissement d’en face

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,